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During the fireworks in the opening sequence the screen goes black several times - but not completely: Two bright circles - glasses - can be seen as a reflection (probably because the sequence was filmed from behind a window) and there is also a very slight after-image of the person wearing the glasses who might even be the director. Allen is so brainy and such a nebbish that he can get away with gestures that would be painfully sentimental in the hands of any other director: when he begins the movie with fireworks cut to Gershwin, it isn't to soften you up for a soap opera, but to remind you that however much his neuroses may seem to drive the scenes, its the love of New York that drives the movie.
The entire cast is note perfect: Meryl Streep as his caustic bisexual ex-wife, Diane Keaton as a nervous journalist from Philadelphia, and especially Mariel Hemingway, whose performance as Allen's 17-year old girlfriend is charming, heartbreaking, and wise. The fact that it is interwoven with a genuinely moving love story told with a subtlety and indirection that is unheard of in today's mainstream cinema only makes the laughs that much richer.
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Each client paid five dollars and answered more than a hundred multiple-choice questions. (A previous installment had been about a singles bar—Maxwell’s Plum, on the Upper East Side, one of the first that so-called “respectable” single women could patronize on their own.) She had planned to interview Altfest, but he was out of the office, and she ended up talking to Ross.
One section asked subjects to choose from a list of “dislikes”: “1. The batteries died on her tape recorder, so they made a date to finish the interview later that week, which turned into dinner for two.
You filled out a questionnaire, fed it into the machine, and almost instantly received a card with the name and address of a like-minded participant in some far-flung locale—your ideal match. He called up his friend Robert Ross, a programmer at I. M., and they began considering ways to adapt this approach to find matches closer to home. “This loser happens to be a talented fashion illustrator for one of New York’s largest advertising agencies.He is paying two alimonies, his second ex-wife, Jill Davis, a lesbian, who is writing her own tell-all book of their acrimonious split.The one somewhat positive aspect of his life is that he is dating a young woman named Tracy, although she is only seventeen and still in high school.They’d heard about some students at Harvard who’d come up with a program called Operation Match, which used a computer to find dates for people. She makes Quiche Lorraine, plays chess, and like me she loves to ski. ”One day, a woman named Patricia Lahrmer, from 1010 WINS, a local radio station, came to to do an interview.A year later, Altfest and Ross had a prototype, which they called Project , an acronym for Technical Automated Compatibility Testing—New York City’s first computer-dating service. She was the station’s first female reporter, and she had chosen, as her début feature, a three-part story on how New York couples meet.